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  • Alistair Walton

Verdaccio 2

I've completed the small painting with the verdaccio underpainting and I think it has worked quite well. The overpainting of the flesh was done directly ie not using glazes but the headdress was complete using a glaze of cadmium red. The contrasting background is a glaze of Indian Yellow to give the feeling of an icon painting. I'll try another portrait using the same process and see how that works.

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